Surrexit Christus

Description

 • melodic motive, introduced by the organ and developed in the
vocal writing, are used in imitation, inversion, duetting and trios
 • articulation markings in the organ part give buoyancy, and
support the contrasting legato vocal line
 • organ part serves as a bridge into the middle section,
introducing a sweeping melody that carries over the bar lines,
weaving right into the vocal entrances
 • use of hemiola, syncopation and subtle harmonic shifts add
energy and color to this dance-like setting of the ancient text:
Christ is risen: Alleluia!